Harmony doesn't stray from reality, even when it's ugly.īut when it's ugly, he doesn't judge. His scene detail in the scripts is imaginative, but always grounded. His characters, despite their strange circumstances, feel real. I was really put off by his introduction to "Jokes," but I fell in love with it when I read it and I'm sad it was never fully realized as a film. You could encounter his characters anywhere perhaps you've even lived some of the experiences he details. It's almost impossible to articulate why Harmony is great because that's an understanding someone has to approach on their own, when discomfort regarding his work turns into understanding and finally turns into admiration.Īll of the work is absurd, sure - but I agree when Harmony calls his work realist. It took me years to "get" Harmony Korine to watch Gummo past the opening narration to understand that his work is full of heart and free of judgment. This arrived in the mail yesterday and I finished it within hours. Currently, the man continues to release published screenplays and fanzines while caring for his wife Rachel and his son Lefty. He has directed several music videos, commercials, and David Blaine television specials Korine has also hosted numerous exhibits of his art and photography. Since his rise to fame (or infamy), Korine has expanded his horizons in film, literature, art, music, and tap-dancing. He has earned the recognition and respect of Werner Herzog, Gus Van Sant, Jean-Luc Godard, and others. After reaching a break-through opportunity as a screenwriter for Larry Clark's first highly controversial film "Kids" in 1995, Korine quickly became viewed as one of America's most bizarre and inventive creative entities, especially with the release of his directorial debut "Gummo" in 1997 and the publication of his first novel, "A Crackup at the Race Riots," the following year. Raised in Nashville, Tennessee, the son of PBS cinematographer Sol Korine spent many of his days at revival theaters, drawing vast inspiration from a wide variety of envelop-pushing filmmakers. Best known both as the writer of films "Kids" (1995) and "Ken Park" (2002) and as the director of films "Gummo" (1997), "julien donkey-boy" (1999), and "Mister Lonely" (2007), Harmony Korine has been deemed as the "enfant terrible" of modern independent dramatic film.
0 Comments
Leave a Reply. |